ZZZAHARA - Liminal Spaces
Tired of playing in bands such as Eyedress and The Simps, Zahara Jaime started solo project Zzahara to explore different genres.
The L.A. songwriter and guitarist has used their newfound artistic control to springboard from their familiar post-punk into somewhat lighter, more indie-focused territory on their debut. The spidery, gothic vibe of The Cure is an obvious touchstone on opening track āG(url)ā, which is densely layered with guitars and synth. As their emotional evolution unfurls over the following ten tracks, however, the downbeat tone assumes some light.Detailing feelings of disconnection, lust, and queerness, they gradually strip away the barrage of shoegaze layers to uncover something simpler. This moves through the jangly guitar pop of early Smiths (āGet Out of LAā), angular math-rock (āPossessiveā), dollops of ā80s new wave (āJuliaā), and ends with the dreamy synth wash of Beach House (āIt Will Get Betterā); much of the new wave material calls to mind North London indie group Girl Ray. (Loud & Quiet)
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ZZZAHARA - Liminal Spaces
ZZZAHARA - Liminal Spaces
Tired of playing in bands such as Eyedress and The Simps, Zahara Jaime started solo project Zzahara to explore different genres.
The L.A. songwriter and guitarist has used their newfound artistic control to springboard from their familiar post-punk into somewhat lighter, more indie-focused territory on their debut. The spidery, gothic vibe of The Cure is an obvious touchstone on opening track āG(url)ā, which is densely layered with guitars and synth. As their emotional evolution unfurls over the following ten tracks, however, the downbeat tone assumes some light.Detailing feelings of disconnection, lust, and queerness, they gradually strip away the barrage of shoegaze layers to uncover something simpler. This moves through the jangly guitar pop of early Smiths (āGet Out of LAā), angular math-rock (āPossessiveā), dollops of ā80s new wave (āJuliaā), and ends with the dreamy synth wash of Beach House (āIt Will Get Betterā); much of the new wave material calls to mind North London indie group Girl Ray. (Loud & Quiet)
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Description
Tired of playing in bands such as Eyedress and The Simps, Zahara Jaime started solo project Zzahara to explore different genres.
The L.A. songwriter and guitarist has used their newfound artistic control to springboard from their familiar post-punk into somewhat lighter, more indie-focused territory on their debut. The spidery, gothic vibe of The Cure is an obvious touchstone on opening track āG(url)ā, which is densely layered with guitars and synth. As their emotional evolution unfurls over the following ten tracks, however, the downbeat tone assumes some light.Detailing feelings of disconnection, lust, and queerness, they gradually strip away the barrage of shoegaze layers to uncover something simpler. This moves through the jangly guitar pop of early Smiths (āGet Out of LAā), angular math-rock (āPossessiveā), dollops of ā80s new wave (āJuliaā), and ends with the dreamy synth wash of Beach House (āIt Will Get Betterā); much of the new wave material calls to mind North London indie group Girl Ray. (Loud & Quiet)













