Siamo tutti in pericolo
Ā«Siamo tutti in pericoloĀ» is the third album by Golem Mecanique, the nom de plume of French multi-instrumentalist composer Karen Jebane, to be released on Ideologic Organ. Jebane works within the fringes of contemporary folk (aka La Novea community), microtonal and early modern spheres, as well as touching upon the ashes and fibres of back metal and the DNA of gothic music, literature, sorcery and most of all - poetry. Jebaneās work with the Ā«drone boxĀ» (a mechanised hurdy-gurdy) and zither as a smooth and rippling surface for her singing is immediately evident in a nearly ceremonial way, inviting into a space of clear-dark creativity-beauty.
On Ā«Siamo tutti in pericoloĀ», Jebane works with her forms of composition in new ways, poetic and spare execution of her techniques, through her homage/hymns/meditations on the highly irregular circumstances and questions/mysteries of the passing of the soul of master artist Pier Paolo Pasolini. A perfect pairing with collage artist Julien Langendorffās cover art, Ā«Siamo tutti in pericoloĀ», presents a pure presentation of Jebaneās Ā«Golem MecaniqueĀ».
āStephen OāMalley, Brion, France, 1 Sept 2024
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Siamo tutti in pericolo
Siamo tutti in pericolo
Ā«Siamo tutti in pericoloĀ» is the third album by Golem Mecanique, the nom de plume of French multi-instrumentalist composer Karen Jebane, to be released on Ideologic Organ. Jebane works within the fringes of contemporary folk (aka La Novea community), microtonal and early modern spheres, as well as touching upon the ashes and fibres of back metal and the DNA of gothic music, literature, sorcery and most of all - poetry. Jebaneās work with the Ā«drone boxĀ» (a mechanised hurdy-gurdy) and zither as a smooth and rippling surface for her singing is immediately evident in a nearly ceremonial way, inviting into a space of clear-dark creativity-beauty.
On Ā«Siamo tutti in pericoloĀ», Jebane works with her forms of composition in new ways, poetic and spare execution of her techniques, through her homage/hymns/meditations on the highly irregular circumstances and questions/mysteries of the passing of the soul of master artist Pier Paolo Pasolini. A perfect pairing with collage artist Julien Langendorffās cover art, Ā«Siamo tutti in pericoloĀ», presents a pure presentation of Jebaneās Ā«Golem MecaniqueĀ».
āStephen OāMalley, Brion, France, 1 Sept 2024
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Ā«Siamo tutti in pericoloĀ» is the third album by Golem Mecanique, the nom de plume of French multi-instrumentalist composer Karen Jebane, to be released on Ideologic Organ. Jebane works within the fringes of contemporary folk (aka La Novea community), microtonal and early modern spheres, as well as touching upon the ashes and fibres of back metal and the DNA of gothic music, literature, sorcery and most of all - poetry. Jebaneās work with the Ā«drone boxĀ» (a mechanised hurdy-gurdy) and zither as a smooth and rippling surface for her singing is immediately evident in a nearly ceremonial way, inviting into a space of clear-dark creativity-beauty.
On Ā«Siamo tutti in pericoloĀ», Jebane works with her forms of composition in new ways, poetic and spare execution of her techniques, through her homage/hymns/meditations on the highly irregular circumstances and questions/mysteries of the passing of the soul of master artist Pier Paolo Pasolini. A perfect pairing with collage artist Julien Langendorffās cover art, Ā«Siamo tutti in pericoloĀ», presents a pure presentation of Jebaneās Ā«Golem MecaniqueĀ».
āStephen OāMalley, Brion, France, 1 Sept 2024














