Returning, Dream
Returning, Dream is the second album from Paradise Cinema ā theāFourth WorldāĀ inspired project led by multi-instrumentalist Jack Wyllie (Portico Quartet/Szun Waves). While Wyllieās other projects move between tightknit electronica, widescreen minimalism and improvised ambient sounds, āreturning, dreamā contains nods to Jon Hassell, Terry Riley, Don Cherry and Midori Takada as well as more contemporary electronic, ambient and non-western music and even draws inspiration from physics and science fiction.
The first, eponymous, Paradise Cinema record, released in 2020, was recorded in Dakar (Wyllie lived in Senegal for a while in the late 2010s) and featured the dense rhythms of Mbalax music combining with Wyllieās textural saxophone and synth playing, but here he takes a step into the unknown:
The music is no longer built primarily around the rumblingĀ propulsiveness of Mbalax, but takes its inspiration from the Many-Worlds Interpretation of quantum mechanics, which suggests that there are many different worlds that branch off from our own. Wyllie explains:Ā āIt isĀ an imagining of what music could be like in a different time and space,Ā ancient and futuristic from everywhere and nowhere at once.Ā I wasĀ listening to a lot of physics podcasts when I created this record. I lovedĀ the many-worlds interpretation of quantum mechanics; about the multipleĀ paths we are taking each time a quantum decision is taken. The differentĀ worlds then splitting off like branches on a tree. I could imagine differentĀ histories and worlds and multiple versions of myself, others and evenĀ other societies existing. In this album Iāve dug into these ideas andattempted to make music that would come from those different spaces,Ā trying to poke my finger through to the other selves andĀ stories. Effectively a form of composed science fiction, the music is anĀ idea of what might be occurring or have occurred on a branch of the treeĀ in a different world. But I like to think the tracks might actually have beenĀ composed somewhere or sometime.ā
Created in London by Jack Wyllie with additional recordings from Dakar and Sydney, āreturning, dreamā blends sounds that do not typically live together. It features Khadim Mbaye (sabar drums) and Tons Sambe (tama drums) who provide the dense Sengalese rhythms, plus Szun Waves colleague Laurence Pike, also on drums.
Product Information
Product Information
Shipping & Returns
Shipping & Returns

Returning, Dream
Returning, Dream
Returning, Dream is the second album from Paradise Cinema ā theāFourth WorldāĀ inspired project led by multi-instrumentalist Jack Wyllie (Portico Quartet/Szun Waves). While Wyllieās other projects move between tightknit electronica, widescreen minimalism and improvised ambient sounds, āreturning, dreamā contains nods to Jon Hassell, Terry Riley, Don Cherry and Midori Takada as well as more contemporary electronic, ambient and non-western music and even draws inspiration from physics and science fiction.
The first, eponymous, Paradise Cinema record, released in 2020, was recorded in Dakar (Wyllie lived in Senegal for a while in the late 2010s) and featured the dense rhythms of Mbalax music combining with Wyllieās textural saxophone and synth playing, but here he takes a step into the unknown:
The music is no longer built primarily around the rumblingĀ propulsiveness of Mbalax, but takes its inspiration from the Many-Worlds Interpretation of quantum mechanics, which suggests that there are many different worlds that branch off from our own. Wyllie explains:Ā āIt isĀ an imagining of what music could be like in a different time and space,Ā ancient and futuristic from everywhere and nowhere at once.Ā I wasĀ listening to a lot of physics podcasts when I created this record. I lovedĀ the many-worlds interpretation of quantum mechanics; about the multipleĀ paths we are taking each time a quantum decision is taken. The differentĀ worlds then splitting off like branches on a tree. I could imagine differentĀ histories and worlds and multiple versions of myself, others and evenĀ other societies existing. In this album Iāve dug into these ideas andattempted to make music that would come from those different spaces,Ā trying to poke my finger through to the other selves andĀ stories. Effectively a form of composed science fiction, the music is anĀ idea of what might be occurring or have occurred on a branch of the treeĀ in a different world. But I like to think the tracks might actually have beenĀ composed somewhere or sometime.ā
Created in London by Jack Wyllie with additional recordings from Dakar and Sydney, āreturning, dreamā blends sounds that do not typically live together. It features Khadim Mbaye (sabar drums) and Tons Sambe (tama drums) who provide the dense Sengalese rhythms, plus Szun Waves colleague Laurence Pike, also on drums.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Returning, Dream is the second album from Paradise Cinema ā theāFourth WorldāĀ inspired project led by multi-instrumentalist Jack Wyllie (Portico Quartet/Szun Waves). While Wyllieās other projects move between tightknit electronica, widescreen minimalism and improvised ambient sounds, āreturning, dreamā contains nods to Jon Hassell, Terry Riley, Don Cherry and Midori Takada as well as more contemporary electronic, ambient and non-western music and even draws inspiration from physics and science fiction.
The first, eponymous, Paradise Cinema record, released in 2020, was recorded in Dakar (Wyllie lived in Senegal for a while in the late 2010s) and featured the dense rhythms of Mbalax music combining with Wyllieās textural saxophone and synth playing, but here he takes a step into the unknown:
The music is no longer built primarily around the rumblingĀ propulsiveness of Mbalax, but takes its inspiration from the Many-Worlds Interpretation of quantum mechanics, which suggests that there are many different worlds that branch off from our own. Wyllie explains:Ā āIt isĀ an imagining of what music could be like in a different time and space,Ā ancient and futuristic from everywhere and nowhere at once.Ā I wasĀ listening to a lot of physics podcasts when I created this record. I lovedĀ the many-worlds interpretation of quantum mechanics; about the multipleĀ paths we are taking each time a quantum decision is taken. The differentĀ worlds then splitting off like branches on a tree. I could imagine differentĀ histories and worlds and multiple versions of myself, others and evenĀ other societies existing. In this album Iāve dug into these ideas andattempted to make music that would come from those different spaces,Ā trying to poke my finger through to the other selves andĀ stories. Effectively a form of composed science fiction, the music is anĀ idea of what might be occurring or have occurred on a branch of the treeĀ in a different world. But I like to think the tracks might actually have beenĀ composed somewhere or sometime.ā
Created in London by Jack Wyllie with additional recordings from Dakar and Sydney, āreturning, dreamā blends sounds that do not typically live together. It features Khadim Mbaye (sabar drums) and Tons Sambe (tama drums) who provide the dense Sengalese rhythms, plus Szun Waves colleague Laurence Pike, also on drums.
















