Pale Blue Eyes - This House
Delirious chatter... clinks of warm cans of beer... Cocteau Twins played at full blast. Lively memories of parties and people live on through This House, the new album from Pale Blue Eyes. The house in question is there on the front cover, the childhood home of the trioās vocalist and guitarist, Matt Board. Defined by closure and moving on, This House is shaken to its rafters as the band navigate the grief of recent parental loss. Alongside uplifting melodies that dance like no-oneās watching, the album is rich in life-affirming human connections, where music-making becomes a means of recovery. āWhen Mum died, five years after Dad, there was this charge hanging in the air, connecting each person in the room,ā says Matt. āTime stopped. I felt like I momentarily entered an alternative dimension between life and death. Days and weeks later Iād see my family in every corner of the houseāall the reminders, ghosts and memories. Then, gradually, it felt like time for a new start, moving on from the house and my amazing parents. āNew track āTakes Me Overā typifies Pale Blue Eyesā overarching message, ruminating how you can begin to overcome lifeās greatest problems through creative output, as Matt explains: āThis taps into the feeling you get when life overwhelms you and you become consumed with whatās in front of youāand then seeing a bigger picture. Itās also about embracing, processing and letting go through music making and any artistic or creative process. āMaking music as a means to go on, Pale Blue Eyesā two albums bookend other significant moments, such as soundtracking the Atmos arts-and-housing project in Totnes (featuring a sound-and-light installation by Brian Eno). There was also the time PBEās beloved old CitroĆ«n blew up between gigs, reinforcing a valuable lesson. āYou have to embrace the Berlingo!ā says Lucy, rolling out the bandās new motto.
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Pale Blue Eyes - This House
Pale Blue Eyes - This House
Delirious chatter... clinks of warm cans of beer... Cocteau Twins played at full blast. Lively memories of parties and people live on through This House, the new album from Pale Blue Eyes. The house in question is there on the front cover, the childhood home of the trioās vocalist and guitarist, Matt Board. Defined by closure and moving on, This House is shaken to its rafters as the band navigate the grief of recent parental loss. Alongside uplifting melodies that dance like no-oneās watching, the album is rich in life-affirming human connections, where music-making becomes a means of recovery. āWhen Mum died, five years after Dad, there was this charge hanging in the air, connecting each person in the room,ā says Matt. āTime stopped. I felt like I momentarily entered an alternative dimension between life and death. Days and weeks later Iād see my family in every corner of the houseāall the reminders, ghosts and memories. Then, gradually, it felt like time for a new start, moving on from the house and my amazing parents. āNew track āTakes Me Overā typifies Pale Blue Eyesā overarching message, ruminating how you can begin to overcome lifeās greatest problems through creative output, as Matt explains: āThis taps into the feeling you get when life overwhelms you and you become consumed with whatās in front of youāand then seeing a bigger picture. Itās also about embracing, processing and letting go through music making and any artistic or creative process. āMaking music as a means to go on, Pale Blue Eyesā two albums bookend other significant moments, such as soundtracking the Atmos arts-and-housing project in Totnes (featuring a sound-and-light installation by Brian Eno). There was also the time PBEās beloved old CitroĆ«n blew up between gigs, reinforcing a valuable lesson. āYou have to embrace the Berlingo!ā says Lucy, rolling out the bandās new motto.
Original: $20.01
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Description
Delirious chatter... clinks of warm cans of beer... Cocteau Twins played at full blast. Lively memories of parties and people live on through This House, the new album from Pale Blue Eyes. The house in question is there on the front cover, the childhood home of the trioās vocalist and guitarist, Matt Board. Defined by closure and moving on, This House is shaken to its rafters as the band navigate the grief of recent parental loss. Alongside uplifting melodies that dance like no-oneās watching, the album is rich in life-affirming human connections, where music-making becomes a means of recovery. āWhen Mum died, five years after Dad, there was this charge hanging in the air, connecting each person in the room,ā says Matt. āTime stopped. I felt like I momentarily entered an alternative dimension between life and death. Days and weeks later Iād see my family in every corner of the houseāall the reminders, ghosts and memories. Then, gradually, it felt like time for a new start, moving on from the house and my amazing parents. āNew track āTakes Me Overā typifies Pale Blue Eyesā overarching message, ruminating how you can begin to overcome lifeās greatest problems through creative output, as Matt explains: āThis taps into the feeling you get when life overwhelms you and you become consumed with whatās in front of youāand then seeing a bigger picture. Itās also about embracing, processing and letting go through music making and any artistic or creative process. āMaking music as a means to go on, Pale Blue Eyesā two albums bookend other significant moments, such as soundtracking the Atmos arts-and-housing project in Totnes (featuring a sound-and-light installation by Brian Eno). There was also the time PBEās beloved old CitroĆ«n blew up between gigs, reinforcing a valuable lesson. āYou have to embrace the Berlingo!ā says Lucy, rolling out the bandās new motto.
















