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Night Shop - The Beloved Returns

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Night Shop - The Beloved Returns

Night Shop - The Beloved Returns

Justin Sullivan has been living something of an artistic double life for the last 8 years. He’s been playing drums in Los Angeles’ Flat Worms and getting back together with his NYC bandmates in The Babies, but he’s also been crafting his own songs under the name Night Shop. Under this moniker, Sullivan has released two LPs and two 12ā€ EPs and toured supporting, Widowspeak, Shannon Lay and Waxahatchee. Waxahatchee’s Katie Crutchfield once described Sullivan as ā€œa well-read modern day Buddy Hollyā€ and on his new record, The Beloved Returns, he raises the bar of both the literary allusions and the rock’n’roll. The record’s title track was inspired by Thomas Manns’s 1939 fictionalized biography of Goethe titled Lotte in Weimar: The Beloved Returns and themes of desire, obsession and the places they send you are all over the record. On the sonic end, the record is louder and faster than any Night Shop record before, a result of Sullivan’s collaboration with the Summer Cannibals’ Jessica Bourdeaux who produced the record, with songs like the opener ā€œOde To Joy IIā€ coming fast out of the gate quickly followed by ā€œLet Me Be the Lamb.ā€

$37.36
Night Shop - The Beloved Returns—
$37.36

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Justin Sullivan has been living something of an artistic double life for the last 8 years. He’s been playing drums in Los Angeles’ Flat Worms and getting back together with his NYC bandmates in The Babies, but he’s also been crafting his own songs under the name Night Shop. Under this moniker, Sullivan has released two LPs and two 12ā€ EPs and toured supporting, Widowspeak, Shannon Lay and Waxahatchee. Waxahatchee’s Katie Crutchfield once described Sullivan as ā€œa well-read modern day Buddy Hollyā€ and on his new record, The Beloved Returns, he raises the bar of both the literary allusions and the rock’n’roll. The record’s title track was inspired by Thomas Manns’s 1939 fictionalized biography of Goethe titled Lotte in Weimar: The Beloved Returns and themes of desire, obsession and the places they send you are all over the record. On the sonic end, the record is louder and faster than any Night Shop record before, a result of Sullivan’s collaboration with the Summer Cannibals’ Jessica Bourdeaux who produced the record, with songs like the opener ā€œOde To Joy IIā€ coming fast out of the gate quickly followed by ā€œLet Me Be the Lamb.ā€