Migration
New music from Simon Green aka Bonobo is always an event, but when it heralds the arrival of a whole new album (his first since 2013ās āThe North Bordersā), itās really something to get excited about. The masterful, magisterial āMigrationā is Greenās sixth album and itās a record which cements his place in the very highest echelons of electronic music and beyond.
Lead track āKeralaā was the first track Green recorded for the new record, putting together a rough version of it on the tour bus while DJing across the States in 2014. Itās both a classic piece of Bonobo music and a development, all arpeggiated, twisted, layered strings and shuffling dancefloor rhythm. The music gradually builds until his introduction of a sample from RnB singer Brandy, itself cut up and dealt with as a further texture, with the whole sitting in a sweet spot of uplifting euphoria that heās so adept at finding. The hypnotic video (also released today), has been directed by Bison (Jon Hopkins/London Grammar/ Rosie Lowe). It compliments the shuffling arpeggios and beats perfectly by creating staggered loop effects where the lead Gemma Arterton (Quantum of Solace/Inside No. 9) battles through a mysterious, distorted reality with a meteor flying overhead.
In particular, there is a theme on the upcoming album of migration, eruditely put by Green as āThe study of people and spaces,ā he expands, āItās interesting how one person will take an influence from one part of the world and move with that influence and affect another part of the world. Over time, the identities of places evolve.ā
Indeed there is a ātransitory natureā to the album, not only through its themes, but also through its guests and found sounds. Michael Milosh, from the LA group Rhye, for instance, is originally from Canada and recorded his affecting vocal on āBreak Apart' in a hotel room in Berlin. Green, meanwhile built the structure of the track during a transatlantic flight. Nick Murphy (formerly known as Chet Faker), on the other hand, is from Australia, but a shared love of disco brought the pair together for the hugely emotive āNo Reasonā. Nicole Miglis of Hundred Waters, originally from Florida, delivers a superbly understated vocal for the glistening textures of āSurfaceā, while Moroccan band Innov Gnawa, based in New York, provide the vocals, on āBambro Koyo Gandaā. Additionally, Green has used a sampler (ābut not in a big boomer, wearing a cagoule kind of way.ā) and woven found sounds such as an elevator in Hong Kong airport, rain in Seattle, a tumble dryer in Atlanta and a fan boat engine in New Orleans into his intricate sonics.
It might be difficult to imagine it, but āMigrationā will take his beautiful, emotive, intricate music to an even bigger audience. āMy own personal idea of identity has played into this record and the theme of migration,ā Green explains. āIs home where you are or where you are from, when you move around?ā The personal, it seems, can also be universal.
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Migration
Migration
New music from Simon Green aka Bonobo is always an event, but when it heralds the arrival of a whole new album (his first since 2013ās āThe North Bordersā), itās really something to get excited about. The masterful, magisterial āMigrationā is Greenās sixth album and itās a record which cements his place in the very highest echelons of electronic music and beyond.
Lead track āKeralaā was the first track Green recorded for the new record, putting together a rough version of it on the tour bus while DJing across the States in 2014. Itās both a classic piece of Bonobo music and a development, all arpeggiated, twisted, layered strings and shuffling dancefloor rhythm. The music gradually builds until his introduction of a sample from RnB singer Brandy, itself cut up and dealt with as a further texture, with the whole sitting in a sweet spot of uplifting euphoria that heās so adept at finding. The hypnotic video (also released today), has been directed by Bison (Jon Hopkins/London Grammar/ Rosie Lowe). It compliments the shuffling arpeggios and beats perfectly by creating staggered loop effects where the lead Gemma Arterton (Quantum of Solace/Inside No. 9) battles through a mysterious, distorted reality with a meteor flying overhead.
In particular, there is a theme on the upcoming album of migration, eruditely put by Green as āThe study of people and spaces,ā he expands, āItās interesting how one person will take an influence from one part of the world and move with that influence and affect another part of the world. Over time, the identities of places evolve.ā
Indeed there is a ātransitory natureā to the album, not only through its themes, but also through its guests and found sounds. Michael Milosh, from the LA group Rhye, for instance, is originally from Canada and recorded his affecting vocal on āBreak Apart' in a hotel room in Berlin. Green, meanwhile built the structure of the track during a transatlantic flight. Nick Murphy (formerly known as Chet Faker), on the other hand, is from Australia, but a shared love of disco brought the pair together for the hugely emotive āNo Reasonā. Nicole Miglis of Hundred Waters, originally from Florida, delivers a superbly understated vocal for the glistening textures of āSurfaceā, while Moroccan band Innov Gnawa, based in New York, provide the vocals, on āBambro Koyo Gandaā. Additionally, Green has used a sampler (ābut not in a big boomer, wearing a cagoule kind of way.ā) and woven found sounds such as an elevator in Hong Kong airport, rain in Seattle, a tumble dryer in Atlanta and a fan boat engine in New Orleans into his intricate sonics.
It might be difficult to imagine it, but āMigrationā will take his beautiful, emotive, intricate music to an even bigger audience. āMy own personal idea of identity has played into this record and the theme of migration,ā Green explains. āIs home where you are or where you are from, when you move around?ā The personal, it seems, can also be universal.
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Description
New music from Simon Green aka Bonobo is always an event, but when it heralds the arrival of a whole new album (his first since 2013ās āThe North Bordersā), itās really something to get excited about. The masterful, magisterial āMigrationā is Greenās sixth album and itās a record which cements his place in the very highest echelons of electronic music and beyond.
Lead track āKeralaā was the first track Green recorded for the new record, putting together a rough version of it on the tour bus while DJing across the States in 2014. Itās both a classic piece of Bonobo music and a development, all arpeggiated, twisted, layered strings and shuffling dancefloor rhythm. The music gradually builds until his introduction of a sample from RnB singer Brandy, itself cut up and dealt with as a further texture, with the whole sitting in a sweet spot of uplifting euphoria that heās so adept at finding. The hypnotic video (also released today), has been directed by Bison (Jon Hopkins/London Grammar/ Rosie Lowe). It compliments the shuffling arpeggios and beats perfectly by creating staggered loop effects where the lead Gemma Arterton (Quantum of Solace/Inside No. 9) battles through a mysterious, distorted reality with a meteor flying overhead.
In particular, there is a theme on the upcoming album of migration, eruditely put by Green as āThe study of people and spaces,ā he expands, āItās interesting how one person will take an influence from one part of the world and move with that influence and affect another part of the world. Over time, the identities of places evolve.ā
Indeed there is a ātransitory natureā to the album, not only through its themes, but also through its guests and found sounds. Michael Milosh, from the LA group Rhye, for instance, is originally from Canada and recorded his affecting vocal on āBreak Apart' in a hotel room in Berlin. Green, meanwhile built the structure of the track during a transatlantic flight. Nick Murphy (formerly known as Chet Faker), on the other hand, is from Australia, but a shared love of disco brought the pair together for the hugely emotive āNo Reasonā. Nicole Miglis of Hundred Waters, originally from Florida, delivers a superbly understated vocal for the glistening textures of āSurfaceā, while Moroccan band Innov Gnawa, based in New York, provide the vocals, on āBambro Koyo Gandaā. Additionally, Green has used a sampler (ābut not in a big boomer, wearing a cagoule kind of way.ā) and woven found sounds such as an elevator in Hong Kong airport, rain in Seattle, a tumble dryer in Atlanta and a fan boat engine in New Orleans into his intricate sonics.
It might be difficult to imagine it, but āMigrationā will take his beautiful, emotive, intricate music to an even bigger audience. āMy own personal idea of identity has played into this record and the theme of migration,ā Green explains. āIs home where you are or where you are from, when you move around?ā The personal, it seems, can also be universal.


















