Limits of Language
Dinked 307 is brought to you by FIELD MUSIC!
The Dinked Edition includes:
â Transparent blue & white splatter vinyl
â Bonus flexi disc with exclusive track
â Signed art print
â Foil numbered sleeve
â Limited to 1000 copies
Field Music announce âLimits of Languageâ, their first album of new music for almost four years. Back in 2022, the touring cycle for the âFlat White Moonâ album ended with a sense of finality. For the first time since the Mercury-nominated âPlumbâ ten years earlier, Peter and David had no plan for what, if anything, would come next. However, after six years of continuation, they were clear that if Field Music was to carry on then it would have to be different, in both sound and scope.
Solo projects followed with 2023 seeing the arrival of Davidâs quietly-jazzy âSoft Strugglesâ, the playful of electronica of Peterâs âBlowdry Colossusâ alongside a limited-issue brass collaboration LP âBinding Timeâ and the vault-raiding âJohn Monroe EPâ, made with original Field Music keyboard player Andrew Moore.
It was these albums that provided fresh impetus for what was to become the new Field Music record. Whilst Peter amassed the instrumental compositions which become âBlowdry Colossusâ, he was also tinkering with a batch of songs which would form the basis of âLimits of Languageâ, songs which mixed synthesised textures with off-the-cuff flickers of guitar and layers of disorientating found-sound percussion.
These fleshed-out demos included âThe Waitress of St Louisâ, an ode to the now-closed Sunderland cafĂ© âLouisâ, which featured on the cover of their 2007 album âTones of Townâ, and to the Maggiore family who ran this cherished institution.
Davidâs songs came from a different angle but leant into the same sonic palette and shared the same sense of a past becoming granulated. Album opener, âSix Weeks, Nine Wellsâ pits the hazy ecstasies of school summer holidays against the fear and foreboding of a child peeking through into an adult world.
âLimits of Languageâ sees Field Music continue with their astonishing, bloody-minded run of releases. A run which equates to an impressive twenty-one âField Music Productionsâ in nineteen years as a band.
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Limits of Language
Limits of Language
Dinked 307 is brought to you by FIELD MUSIC!
The Dinked Edition includes:
â Transparent blue & white splatter vinyl
â Bonus flexi disc with exclusive track
â Signed art print
â Foil numbered sleeve
â Limited to 1000 copies
Field Music announce âLimits of Languageâ, their first album of new music for almost four years. Back in 2022, the touring cycle for the âFlat White Moonâ album ended with a sense of finality. For the first time since the Mercury-nominated âPlumbâ ten years earlier, Peter and David had no plan for what, if anything, would come next. However, after six years of continuation, they were clear that if Field Music was to carry on then it would have to be different, in both sound and scope.
Solo projects followed with 2023 seeing the arrival of Davidâs quietly-jazzy âSoft Strugglesâ, the playful of electronica of Peterâs âBlowdry Colossusâ alongside a limited-issue brass collaboration LP âBinding Timeâ and the vault-raiding âJohn Monroe EPâ, made with original Field Music keyboard player Andrew Moore.
It was these albums that provided fresh impetus for what was to become the new Field Music record. Whilst Peter amassed the instrumental compositions which become âBlowdry Colossusâ, he was also tinkering with a batch of songs which would form the basis of âLimits of Languageâ, songs which mixed synthesised textures with off-the-cuff flickers of guitar and layers of disorientating found-sound percussion.
These fleshed-out demos included âThe Waitress of St Louisâ, an ode to the now-closed Sunderland cafĂ© âLouisâ, which featured on the cover of their 2007 album âTones of Townâ, and to the Maggiore family who ran this cherished institution.
Davidâs songs came from a different angle but leant into the same sonic palette and shared the same sense of a past becoming granulated. Album opener, âSix Weeks, Nine Wellsâ pits the hazy ecstasies of school summer holidays against the fear and foreboding of a child peeking through into an adult world.
âLimits of Languageâ sees Field Music continue with their astonishing, bloody-minded run of releases. A run which equates to an impressive twenty-one âField Music Productionsâ in nineteen years as a band.
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Product Information
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Description
Dinked 307 is brought to you by FIELD MUSIC!
The Dinked Edition includes:
â Transparent blue & white splatter vinyl
â Bonus flexi disc with exclusive track
â Signed art print
â Foil numbered sleeve
â Limited to 1000 copies
Field Music announce âLimits of Languageâ, their first album of new music for almost four years. Back in 2022, the touring cycle for the âFlat White Moonâ album ended with a sense of finality. For the first time since the Mercury-nominated âPlumbâ ten years earlier, Peter and David had no plan for what, if anything, would come next. However, after six years of continuation, they were clear that if Field Music was to carry on then it would have to be different, in both sound and scope.
Solo projects followed with 2023 seeing the arrival of Davidâs quietly-jazzy âSoft Strugglesâ, the playful of electronica of Peterâs âBlowdry Colossusâ alongside a limited-issue brass collaboration LP âBinding Timeâ and the vault-raiding âJohn Monroe EPâ, made with original Field Music keyboard player Andrew Moore.
It was these albums that provided fresh impetus for what was to become the new Field Music record. Whilst Peter amassed the instrumental compositions which become âBlowdry Colossusâ, he was also tinkering with a batch of songs which would form the basis of âLimits of Languageâ, songs which mixed synthesised textures with off-the-cuff flickers of guitar and layers of disorientating found-sound percussion.
These fleshed-out demos included âThe Waitress of St Louisâ, an ode to the now-closed Sunderland cafĂ© âLouisâ, which featured on the cover of their 2007 album âTones of Townâ, and to the Maggiore family who ran this cherished institution.
Davidâs songs came from a different angle but leant into the same sonic palette and shared the same sense of a past becoming granulated. Album opener, âSix Weeks, Nine Wellsâ pits the hazy ecstasies of school summer holidays against the fear and foreboding of a child peeking through into an adult world.
âLimits of Languageâ sees Field Music continue with their astonishing, bloody-minded run of releases. A run which equates to an impressive twenty-one âField Music Productionsâ in nineteen years as a band.




















