Kynsy - Utopia
For a long while, Kynsy - the confident on stage performer - and Ciara Lindsey, the off stage songwriter behind it all, were two quite different people. Having gained swift praise from the likes of NME, DIY and Dork for her first singles āCold Blue Lightā and āHappiness Isnāt A Fixed Stateā back in 2020, the Dublin-raised, London-based musician soon found herself being heralded as a thrilling new voice in guitar music; upon the release of 2021 debut EP āThings That Donāt Existā, reviews comparing her fizzing, earwormy indie-rock to luminaries such as The Strokes and St. Vincent came flooding in. But while Kynsy was immediately finding her place in the scene, Ciara was still trying to work out hers.
āOn those first EPs, I was trying to be more of a character; I was escaping through being this confident frontwoman,ā she says. āI was trying to tick every box and write great songs but also look cool and have a fashion eye and everything. I was so obsessed with doing well I wasnāt taking care of myself. I was always working, not going out, not letting myself breathe - it was that young, early twenties neuroticism of trying to get where I wanted to go and constantly thinking about the future but making myself a bit sick with it.ā
Having lived in Dublin since the age of four, she speaks of the city as a place where āall you can do is dream, so you dream biggerā. For decades, itās been a place thatās cultivated writers and artists; in recent years, of course, Dublinās music scene has been prolific, with Ciaraās old college mates Fontaines D.C and The Murder Capital among those breaking out into huge success. āYou create your own world to avoid the groundhog day-ness of the city,ā she continues. āSo many creative people have come from there, and thereās this feeling that we can make poetry out of it and do more.ā
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Kynsy - Utopia
Kynsy - Utopia
For a long while, Kynsy - the confident on stage performer - and Ciara Lindsey, the off stage songwriter behind it all, were two quite different people. Having gained swift praise from the likes of NME, DIY and Dork for her first singles āCold Blue Lightā and āHappiness Isnāt A Fixed Stateā back in 2020, the Dublin-raised, London-based musician soon found herself being heralded as a thrilling new voice in guitar music; upon the release of 2021 debut EP āThings That Donāt Existā, reviews comparing her fizzing, earwormy indie-rock to luminaries such as The Strokes and St. Vincent came flooding in. But while Kynsy was immediately finding her place in the scene, Ciara was still trying to work out hers.
āOn those first EPs, I was trying to be more of a character; I was escaping through being this confident frontwoman,ā she says. āI was trying to tick every box and write great songs but also look cool and have a fashion eye and everything. I was so obsessed with doing well I wasnāt taking care of myself. I was always working, not going out, not letting myself breathe - it was that young, early twenties neuroticism of trying to get where I wanted to go and constantly thinking about the future but making myself a bit sick with it.ā
Having lived in Dublin since the age of four, she speaks of the city as a place where āall you can do is dream, so you dream biggerā. For decades, itās been a place thatās cultivated writers and artists; in recent years, of course, Dublinās music scene has been prolific, with Ciaraās old college mates Fontaines D.C and The Murder Capital among those breaking out into huge success. āYou create your own world to avoid the groundhog day-ness of the city,ā she continues. āSo many creative people have come from there, and thereās this feeling that we can make poetry out of it and do more.ā
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For a long while, Kynsy - the confident on stage performer - and Ciara Lindsey, the off stage songwriter behind it all, were two quite different people. Having gained swift praise from the likes of NME, DIY and Dork for her first singles āCold Blue Lightā and āHappiness Isnāt A Fixed Stateā back in 2020, the Dublin-raised, London-based musician soon found herself being heralded as a thrilling new voice in guitar music; upon the release of 2021 debut EP āThings That Donāt Existā, reviews comparing her fizzing, earwormy indie-rock to luminaries such as The Strokes and St. Vincent came flooding in. But while Kynsy was immediately finding her place in the scene, Ciara was still trying to work out hers.
āOn those first EPs, I was trying to be more of a character; I was escaping through being this confident frontwoman,ā she says. āI was trying to tick every box and write great songs but also look cool and have a fashion eye and everything. I was so obsessed with doing well I wasnāt taking care of myself. I was always working, not going out, not letting myself breathe - it was that young, early twenties neuroticism of trying to get where I wanted to go and constantly thinking about the future but making myself a bit sick with it.ā
Having lived in Dublin since the age of four, she speaks of the city as a place where āall you can do is dream, so you dream biggerā. For decades, itās been a place thatās cultivated writers and artists; in recent years, of course, Dublinās music scene has been prolific, with Ciaraās old college mates Fontaines D.C and The Murder Capital among those breaking out into huge success. āYou create your own world to avoid the groundhog day-ness of the city,ā she continues. āSo many creative people have come from there, and thereās this feeling that we can make poetry out of it and do more.ā
















