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Diles que no me maten - Escrito en agua

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Diles que no me maten - Escrito en agua

Diles que no me maten - Escrito en agua

Diles Que No Me Maten are a Mexico City five-piece whose krautrock-influenced art rock has evolved into something genuinely singular — wiry, poetic, and alive with improvisational instinct. Their fourth album Escrito en Agua (Writ in Water), due June 12 via Moonlight Activities, is their most focused and accessible work yet, recorded in a makeshift studio in Santa MarĆ­a La Ribera with producer SebastiĆ”n Rojas. Built around restrained drumming, deliberate silences, and the spiritual weight of Oaxacan funerary music, the record moves with an unhurried confidence that feels hard-won. Thematically, Escrito en Agua is a record about presence, wandering, and resilience — songs that sit with ambiguity rather than resolve it. Lead single ā€œHirikuā€ sets the tone, pairing frenetic krautrock with lines drawn from JosĆ© Vicente Anaya's visionary poem HĆ­kuri, while standout track ā€œNo meā€ transforms a mantra of self-assurance into something far more emotionally complex. Dedicated to both the indigenous morning star Tunuwame and Palestinian poet Mahmoud Darwish, the album closes as it opens: quietly transcendent, paying careful attention to the smallest details of what it means
to be alive.

$15.88

Original: $45.36

-65%
Diles que no me maten - Escrito en agua—

$45.36

$15.88

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Diles Que No Me Maten are a Mexico City five-piece whose krautrock-influenced art rock has evolved into something genuinely singular — wiry, poetic, and alive with improvisational instinct. Their fourth album Escrito en Agua (Writ in Water), due June 12 via Moonlight Activities, is their most focused and accessible work yet, recorded in a makeshift studio in Santa MarĆ­a La Ribera with producer SebastiĆ”n Rojas. Built around restrained drumming, deliberate silences, and the spiritual weight of Oaxacan funerary music, the record moves with an unhurried confidence that feels hard-won. Thematically, Escrito en Agua is a record about presence, wandering, and resilience — songs that sit with ambiguity rather than resolve it. Lead single ā€œHirikuā€ sets the tone, pairing frenetic krautrock with lines drawn from JosĆ© Vicente Anaya's visionary poem HĆ­kuri, while standout track ā€œNo meā€ transforms a mantra of self-assurance into something far more emotionally complex. Dedicated to both the indigenous morning star Tunuwame and Palestinian poet Mahmoud Darwish, the album closes as it opens: quietly transcendent, paying careful attention to the smallest details of what it means
to be alive.