Dead Pioneers - Dead Pioneers
Who were the first punks? DoĀ The DamnedĀ have more of a shout thanĀ The Sex Pistols?Ā The StoogesĀ orĀ Ramones?Ā Gregg Deal,Ā the acclaimed visual and performance artist behind his new projectĀ Dead Pioneers, is making a claim that Indigenous Americans were the first real punks.
Ā
Gregg DealĀ is an artist and activist and a member of theĀ Pyramid Lake Paiute Tribe. Much of his work includes exhaustive critiques of American colonialism, society, politics, popular culture and history. With this work - including paintings, murals and performance art - Deal critically examines issues within Indian country such as decolonisation, stereotype and appropriation. He has exhibited his work at cultural centres nationally and internationally.
Ā
Deal suggests that the overarching theme of theĀ Dead PioneersĀ self-titled album is āan introduction to the band itself.ā Created with a DIY disposition and the ālove of a scene that saves livesā, they reel off a roll call of marginalised groups and protected characteristics: āIndigenous rights, Black rights, Brown rights, Asian rights, Gay rights, Trans rights, Workers rights and beyondā¦ā. This is central to their identity and focus, saying that āwith a North American Indigenous person as the vocalist, being unapologetically upfront on the social, political and cultural side of things doesnāt seem necessary, but paramount to the overall tone of the band.ā
Ā
This self-titled debut, coming in at a lithe 22 minutes with only one of the twelve tracks exceeding three minutes, is almost over before it begins, but covers a huge amount of ground in that time. Musical touchstones are varied, ranging fromĀ Black FlagĀ andĀ The MinutemenĀ viaĀ Suicidal TendenciesĀ andĀ Rage Against The MachineĀ through toĀ La DisputeĀ orĀ Idles. Thematically, as much as sonically, it channels the taut energy and directed rage ofĀ FugaziĀ orĀ Henry RollinsĀ at their peak.
Ā
Spoken word interludes serve as connections between songs as well as linking back to Dealās extensive art career. Tracks such as lead single āBad IndianāĀ uses humour as a way into complex, knotty themes and has the lines, āA woman once asked me my Indian name and I said āItās Gregg." She was so disappointed she was like āno it has to be Red Eagle, or two Riversā, āor Greyskull ā I said. ā Yes, wait, is that for real? ā āNo, noā I said without her realising my brief but generationally relevant He Man joke, the kind of joke that would tell her while Indian, Iām also having an American experience too."
Ā
The band is made up of guitaristsĀ Josh RiveraĀ andĀ Abe Brennan, drummerĀ Shane ZweygardtĀ and bassistĀ Lee TescheĀ (who is also lead guitarist forĀ Algiers), withĀ Gregg DealĀ on vocals. For the creation of the album, the songs were written together, āall bringing something to the table and working through it, just the excitement and desire to writeā, with most of the lyrics contributed by Deal. āWe are together in all we do. Our process is one of unity and no ego. Obviously I wouldnāt be here without them. The shared vision is paramount to making this work properly."
Ā
āI see the existence of Dead Pioneers as an extension of my own visual and performance art workā, concludes Deal. āHaving used spoken word in my practice, this is a new medium that is not just satisfying as an artist, but empowering to unapologetically say the quiet things out loud.ā
Ā
Regardless of who was really punk first,Ā Dead PioneersĀ are here now, continuing to ask questions and stand up for the voiceless. And in a post-Albini world, perhaps such a sense of integrity is more important than ever?
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Dead Pioneers - Dead Pioneers
Dead Pioneers - Dead Pioneers
Who were the first punks? DoĀ The DamnedĀ have more of a shout thanĀ The Sex Pistols?Ā The StoogesĀ orĀ Ramones?Ā Gregg Deal,Ā the acclaimed visual and performance artist behind his new projectĀ Dead Pioneers, is making a claim that Indigenous Americans were the first real punks.
Ā
Gregg DealĀ is an artist and activist and a member of theĀ Pyramid Lake Paiute Tribe. Much of his work includes exhaustive critiques of American colonialism, society, politics, popular culture and history. With this work - including paintings, murals and performance art - Deal critically examines issues within Indian country such as decolonisation, stereotype and appropriation. He has exhibited his work at cultural centres nationally and internationally.
Ā
Deal suggests that the overarching theme of theĀ Dead PioneersĀ self-titled album is āan introduction to the band itself.ā Created with a DIY disposition and the ālove of a scene that saves livesā, they reel off a roll call of marginalised groups and protected characteristics: āIndigenous rights, Black rights, Brown rights, Asian rights, Gay rights, Trans rights, Workers rights and beyondā¦ā. This is central to their identity and focus, saying that āwith a North American Indigenous person as the vocalist, being unapologetically upfront on the social, political and cultural side of things doesnāt seem necessary, but paramount to the overall tone of the band.ā
Ā
This self-titled debut, coming in at a lithe 22 minutes with only one of the twelve tracks exceeding three minutes, is almost over before it begins, but covers a huge amount of ground in that time. Musical touchstones are varied, ranging fromĀ Black FlagĀ andĀ The MinutemenĀ viaĀ Suicidal TendenciesĀ andĀ Rage Against The MachineĀ through toĀ La DisputeĀ orĀ Idles. Thematically, as much as sonically, it channels the taut energy and directed rage ofĀ FugaziĀ orĀ Henry RollinsĀ at their peak.
Ā
Spoken word interludes serve as connections between songs as well as linking back to Dealās extensive art career. Tracks such as lead single āBad IndianāĀ uses humour as a way into complex, knotty themes and has the lines, āA woman once asked me my Indian name and I said āItās Gregg." She was so disappointed she was like āno it has to be Red Eagle, or two Riversā, āor Greyskull ā I said. ā Yes, wait, is that for real? ā āNo, noā I said without her realising my brief but generationally relevant He Man joke, the kind of joke that would tell her while Indian, Iām also having an American experience too."
Ā
The band is made up of guitaristsĀ Josh RiveraĀ andĀ Abe Brennan, drummerĀ Shane ZweygardtĀ and bassistĀ Lee TescheĀ (who is also lead guitarist forĀ Algiers), withĀ Gregg DealĀ on vocals. For the creation of the album, the songs were written together, āall bringing something to the table and working through it, just the excitement and desire to writeā, with most of the lyrics contributed by Deal. āWe are together in all we do. Our process is one of unity and no ego. Obviously I wouldnāt be here without them. The shared vision is paramount to making this work properly."
Ā
āI see the existence of Dead Pioneers as an extension of my own visual and performance art workā, concludes Deal. āHaving used spoken word in my practice, this is a new medium that is not just satisfying as an artist, but empowering to unapologetically say the quiet things out loud.ā
Ā
Regardless of who was really punk first,Ā Dead PioneersĀ are here now, continuing to ask questions and stand up for the voiceless. And in a post-Albini world, perhaps such a sense of integrity is more important than ever?
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Who were the first punks? DoĀ The DamnedĀ have more of a shout thanĀ The Sex Pistols?Ā The StoogesĀ orĀ Ramones?Ā Gregg Deal,Ā the acclaimed visual and performance artist behind his new projectĀ Dead Pioneers, is making a claim that Indigenous Americans were the first real punks.
Ā
Gregg DealĀ is an artist and activist and a member of theĀ Pyramid Lake Paiute Tribe. Much of his work includes exhaustive critiques of American colonialism, society, politics, popular culture and history. With this work - including paintings, murals and performance art - Deal critically examines issues within Indian country such as decolonisation, stereotype and appropriation. He has exhibited his work at cultural centres nationally and internationally.
Ā
Deal suggests that the overarching theme of theĀ Dead PioneersĀ self-titled album is āan introduction to the band itself.ā Created with a DIY disposition and the ālove of a scene that saves livesā, they reel off a roll call of marginalised groups and protected characteristics: āIndigenous rights, Black rights, Brown rights, Asian rights, Gay rights, Trans rights, Workers rights and beyondā¦ā. This is central to their identity and focus, saying that āwith a North American Indigenous person as the vocalist, being unapologetically upfront on the social, political and cultural side of things doesnāt seem necessary, but paramount to the overall tone of the band.ā
Ā
This self-titled debut, coming in at a lithe 22 minutes with only one of the twelve tracks exceeding three minutes, is almost over before it begins, but covers a huge amount of ground in that time. Musical touchstones are varied, ranging fromĀ Black FlagĀ andĀ The MinutemenĀ viaĀ Suicidal TendenciesĀ andĀ Rage Against The MachineĀ through toĀ La DisputeĀ orĀ Idles. Thematically, as much as sonically, it channels the taut energy and directed rage ofĀ FugaziĀ orĀ Henry RollinsĀ at their peak.
Ā
Spoken word interludes serve as connections between songs as well as linking back to Dealās extensive art career. Tracks such as lead single āBad IndianāĀ uses humour as a way into complex, knotty themes and has the lines, āA woman once asked me my Indian name and I said āItās Gregg." She was so disappointed she was like āno it has to be Red Eagle, or two Riversā, āor Greyskull ā I said. ā Yes, wait, is that for real? ā āNo, noā I said without her realising my brief but generationally relevant He Man joke, the kind of joke that would tell her while Indian, Iām also having an American experience too."
Ā
The band is made up of guitaristsĀ Josh RiveraĀ andĀ Abe Brennan, drummerĀ Shane ZweygardtĀ and bassistĀ Lee TescheĀ (who is also lead guitarist forĀ Algiers), withĀ Gregg DealĀ on vocals. For the creation of the album, the songs were written together, āall bringing something to the table and working through it, just the excitement and desire to writeā, with most of the lyrics contributed by Deal. āWe are together in all we do. Our process is one of unity and no ego. Obviously I wouldnāt be here without them. The shared vision is paramount to making this work properly."
Ā
āI see the existence of Dead Pioneers as an extension of my own visual and performance art workā, concludes Deal. āHaving used spoken word in my practice, this is a new medium that is not just satisfying as an artist, but empowering to unapologetically say the quiet things out loud.ā
Ā
Regardless of who was really punk first,Ā Dead PioneersĀ are here now, continuing to ask questions and stand up for the voiceless. And in a post-Albini world, perhaps such a sense of integrity is more important than ever?














