Caleb Nichols - Stone Age Is Back
Stone Age Is Back, the third solo album from singer-songwriter and poet Caleb Nichols is a fascinating and urgent addition to his growing catalog. Like a PhD dissertation in contemporary indie rock and alt-folk, the album pulls from disparate strands of Nicholsâ universe to form an amalgam of queer ecology, rustic punk, existential folk, frenetic indie pop, spoken word, experimental jazz, and Neil Young-esque shredding.
The new LP, which is out on Royal Oakie Records, is a meditation on griefâ but not in the ways youâd expect. Across thirteen dynamic and lovingly produced indie gems, Nichols interrogates the grief, guilt, complicity, joy, anger, fear, and dissociative feelings that come along with living through a mass extinction event. Stone Age Is Back isnât really a political album, or an album explicitly about the climate crisisârather, itâs an album that explores what it means to be living and dying right now, in this moment of extraordinary change.
Recorded in Oakland, CA, the band adhered to a first take-best take rule, and moved quickly, recording the entire album in just five days. Produced by Nichols (Port OâBrien, Grand Lake), and mixed & engineered by Jay Pellicci (Deerhoof, Om, 31 Knots), Stone Age Is Back is sonically immaculate even while the performances themselves exude an immediacy that might remind you of early Modest Mouse, or UK punks The Tubs. The album features a bevy of influences: from the landscapes of North Wales, where Nichols wrote the album, to the poetry and theory he read during his dissertation, to the UK DIY bands that inspired him sonically. Stone Age Is Back is a well-curated but wild ride, fitting for his return to music after completing his PhD in queer ecopoetry. The doctor is in.
ââŠpsychedelic textures, indie-rock grit, and folk-rock warmth entwine seamlesslyâŠâ - UpToHear
ââŠNichols continue to unfurl an effortless brand of West Coast-flavoured indie-pop.â - Sun-13
ââŠslightly-off-kilter indie rock vibe that makes you think of Elliott Smith or early Modest MouseâŠ.itâs quietly devastating.â - Psychedelic Baby Magazine
ââŠcaptivates in its balance of moodiness and replay-inducing hooksâŠâ - Obscure Sound
âan album that explores what it means to be living and dying right now, in this moment of extraordinary change.â - Thoughts Words Actions.
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Caleb Nichols - Stone Age Is Back
Caleb Nichols - Stone Age Is Back
Stone Age Is Back, the third solo album from singer-songwriter and poet Caleb Nichols is a fascinating and urgent addition to his growing catalog. Like a PhD dissertation in contemporary indie rock and alt-folk, the album pulls from disparate strands of Nicholsâ universe to form an amalgam of queer ecology, rustic punk, existential folk, frenetic indie pop, spoken word, experimental jazz, and Neil Young-esque shredding.
The new LP, which is out on Royal Oakie Records, is a meditation on griefâ but not in the ways youâd expect. Across thirteen dynamic and lovingly produced indie gems, Nichols interrogates the grief, guilt, complicity, joy, anger, fear, and dissociative feelings that come along with living through a mass extinction event. Stone Age Is Back isnât really a political album, or an album explicitly about the climate crisisârather, itâs an album that explores what it means to be living and dying right now, in this moment of extraordinary change.
Recorded in Oakland, CA, the band adhered to a first take-best take rule, and moved quickly, recording the entire album in just five days. Produced by Nichols (Port OâBrien, Grand Lake), and mixed & engineered by Jay Pellicci (Deerhoof, Om, 31 Knots), Stone Age Is Back is sonically immaculate even while the performances themselves exude an immediacy that might remind you of early Modest Mouse, or UK punks The Tubs. The album features a bevy of influences: from the landscapes of North Wales, where Nichols wrote the album, to the poetry and theory he read during his dissertation, to the UK DIY bands that inspired him sonically. Stone Age Is Back is a well-curated but wild ride, fitting for his return to music after completing his PhD in queer ecopoetry. The doctor is in.
ââŠpsychedelic textures, indie-rock grit, and folk-rock warmth entwine seamlesslyâŠâ - UpToHear
ââŠNichols continue to unfurl an effortless brand of West Coast-flavoured indie-pop.â - Sun-13
ââŠslightly-off-kilter indie rock vibe that makes you think of Elliott Smith or early Modest MouseâŠ.itâs quietly devastating.â - Psychedelic Baby Magazine
ââŠcaptivates in its balance of moodiness and replay-inducing hooksâŠâ - Obscure Sound
âan album that explores what it means to be living and dying right now, in this moment of extraordinary change.â - Thoughts Words Actions.
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Stone Age Is Back, the third solo album from singer-songwriter and poet Caleb Nichols is a fascinating and urgent addition to his growing catalog. Like a PhD dissertation in contemporary indie rock and alt-folk, the album pulls from disparate strands of Nicholsâ universe to form an amalgam of queer ecology, rustic punk, existential folk, frenetic indie pop, spoken word, experimental jazz, and Neil Young-esque shredding.
The new LP, which is out on Royal Oakie Records, is a meditation on griefâ but not in the ways youâd expect. Across thirteen dynamic and lovingly produced indie gems, Nichols interrogates the grief, guilt, complicity, joy, anger, fear, and dissociative feelings that come along with living through a mass extinction event. Stone Age Is Back isnât really a political album, or an album explicitly about the climate crisisârather, itâs an album that explores what it means to be living and dying right now, in this moment of extraordinary change.
Recorded in Oakland, CA, the band adhered to a first take-best take rule, and moved quickly, recording the entire album in just five days. Produced by Nichols (Port OâBrien, Grand Lake), and mixed & engineered by Jay Pellicci (Deerhoof, Om, 31 Knots), Stone Age Is Back is sonically immaculate even while the performances themselves exude an immediacy that might remind you of early Modest Mouse, or UK punks The Tubs. The album features a bevy of influences: from the landscapes of North Wales, where Nichols wrote the album, to the poetry and theory he read during his dissertation, to the UK DIY bands that inspired him sonically. Stone Age Is Back is a well-curated but wild ride, fitting for his return to music after completing his PhD in queer ecopoetry. The doctor is in.
ââŠpsychedelic textures, indie-rock grit, and folk-rock warmth entwine seamlesslyâŠâ - UpToHear
ââŠNichols continue to unfurl an effortless brand of West Coast-flavoured indie-pop.â - Sun-13
ââŠslightly-off-kilter indie rock vibe that makes you think of Elliott Smith or early Modest MouseâŠ.itâs quietly devastating.â - Psychedelic Baby Magazine
ââŠcaptivates in its balance of moodiness and replay-inducing hooksâŠâ - Obscure Sound
âan album that explores what it means to be living and dying right now, in this moment of extraordinary change.â - Thoughts Words Actions.


















