Betty (RSD Black Friday 2024)
Now considered a cult classic, Betty was originally released on June 21, 1994, on Interscope Records. Helmet and T-Ray produced all of the albumâs songs, except for âMilquetoast,â which was produced by Butch Vig. Rolling Stone would go on to hail it as âone of Helmetâs most beloved albums, as well as a landmark of mid-Nineties metalâ and note, âTracks like âWilmaâs Rainbow,â âI Knowâ and âMilquetoastâ (which had appeared earlier that year, as âMilktoast,â on the soundtrack to the Brandon Lee film The Crow) continued the bandâs riff-as-power-tool aesthetic, while also expanding on itâŠexploring jazz (âBeautiful Loveâ), blues (âSam Hellâ) and oddball funk (âThe Silver Hawaiianâ).â
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Betty (RSD Black Friday 2024)
Betty (RSD Black Friday 2024)
Now considered a cult classic, Betty was originally released on June 21, 1994, on Interscope Records. Helmet and T-Ray produced all of the albumâs songs, except for âMilquetoast,â which was produced by Butch Vig. Rolling Stone would go on to hail it as âone of Helmetâs most beloved albums, as well as a landmark of mid-Nineties metalâ and note, âTracks like âWilmaâs Rainbow,â âI Knowâ and âMilquetoastâ (which had appeared earlier that year, as âMilktoast,â on the soundtrack to the Brandon Lee film The Crow) continued the bandâs riff-as-power-tool aesthetic, while also expanding on itâŠexploring jazz (âBeautiful Loveâ), blues (âSam Hellâ) and oddball funk (âThe Silver Hawaiianâ).â
Original: $68.04
-65%$68.04
$23.81Product Information
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Description
Now considered a cult classic, Betty was originally released on June 21, 1994, on Interscope Records. Helmet and T-Ray produced all of the albumâs songs, except for âMilquetoast,â which was produced by Butch Vig. Rolling Stone would go on to hail it as âone of Helmetâs most beloved albums, as well as a landmark of mid-Nineties metalâ and note, âTracks like âWilmaâs Rainbow,â âI Knowâ and âMilquetoastâ (which had appeared earlier that year, as âMilktoast,â on the soundtrack to the Brandon Lee film The Crow) continued the bandâs riff-as-power-tool aesthetic, while also expanding on itâŠexploring jazz (âBeautiful Loveâ), blues (âSam Hellâ) and oddball funk (âThe Silver Hawaiianâ).â












