Arm's Length - There's A Whole World Out There
Thereās a song on Thereās A Whole World Out There, the second album by Canadian four-piece Armās Length, called āPalinopsiaā. Derived from the Greek for āagainā (palin) and āseeingā (opsia), itās a visual phenomenon marked by the persistent image of something thatās no longer actually there. Singer and lyricist Allen Steinberg wrote the song wrote about āpure devotion or love towards someone that may no longer be a part of your lifeā, but it also applies to the record as a whole. Because throughout this albumās 12 songs, Steinberg wrestles a with the part of life thatās been and gone. Yet thereās a noticeable difference between the person who wrote this record compared to the one who wrote Armās Lengthās 2022 debut, Never Before Seen, Never Again Found. āThis record speaks more to my life at the moment than the past,ā he explains, āeven though thereās still a good amount of past on it. But itās how Iām dealing with it now, as opposed to being enveloped in itāthereās more a sense of being on the other side of it, of seeing it with hindsight. The tone has shifted a little. Iām probably just a bit more mature, as my frontal lobe is developing as we speak.ā Produced by Anton DeLostāwho worked with the band on Never Before Seen, Never Again Found and 2021ās EP, Everything NiceāThereās A Whole World Out There does indeed expand Armās Lengthās horizons in accordance with Steinbergās developing frontal lobe, presenting him as more self-reflective contemplative than he was before. He wrote the parts for all the instruments, as well as the vast majority of the lyrics, alone in his room, and then brought those initial sketches, recorded as voice memos, to drummer Jeff Whyte, who added percussion to Steinbergās song skeletons. While the majority of the creative process was in Steinbergās hands, it was only when these songs were recorded as a full band with Jeremy Whyte, who played bass on the record, and Ben Greenblatt that their full potential was realized. The result is that the feelings driving these songs burst and bloom with full force, building on the incredible foundations set by the bandās previous recorded output.
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Arm's Length - There's A Whole World Out There
Arm's Length - There's A Whole World Out There
Thereās a song on Thereās A Whole World Out There, the second album by Canadian four-piece Armās Length, called āPalinopsiaā. Derived from the Greek for āagainā (palin) and āseeingā (opsia), itās a visual phenomenon marked by the persistent image of something thatās no longer actually there. Singer and lyricist Allen Steinberg wrote the song wrote about āpure devotion or love towards someone that may no longer be a part of your lifeā, but it also applies to the record as a whole. Because throughout this albumās 12 songs, Steinberg wrestles a with the part of life thatās been and gone. Yet thereās a noticeable difference between the person who wrote this record compared to the one who wrote Armās Lengthās 2022 debut, Never Before Seen, Never Again Found. āThis record speaks more to my life at the moment than the past,ā he explains, āeven though thereās still a good amount of past on it. But itās how Iām dealing with it now, as opposed to being enveloped in itāthereās more a sense of being on the other side of it, of seeing it with hindsight. The tone has shifted a little. Iām probably just a bit more mature, as my frontal lobe is developing as we speak.ā Produced by Anton DeLostāwho worked with the band on Never Before Seen, Never Again Found and 2021ās EP, Everything NiceāThereās A Whole World Out There does indeed expand Armās Lengthās horizons in accordance with Steinbergās developing frontal lobe, presenting him as more self-reflective contemplative than he was before. He wrote the parts for all the instruments, as well as the vast majority of the lyrics, alone in his room, and then brought those initial sketches, recorded as voice memos, to drummer Jeff Whyte, who added percussion to Steinbergās song skeletons. While the majority of the creative process was in Steinbergās hands, it was only when these songs were recorded as a full band with Jeremy Whyte, who played bass on the record, and Ben Greenblatt that their full potential was realized. The result is that the feelings driving these songs burst and bloom with full force, building on the incredible foundations set by the bandās previous recorded output.
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Thereās a song on Thereās A Whole World Out There, the second album by Canadian four-piece Armās Length, called āPalinopsiaā. Derived from the Greek for āagainā (palin) and āseeingā (opsia), itās a visual phenomenon marked by the persistent image of something thatās no longer actually there. Singer and lyricist Allen Steinberg wrote the song wrote about āpure devotion or love towards someone that may no longer be a part of your lifeā, but it also applies to the record as a whole. Because throughout this albumās 12 songs, Steinberg wrestles a with the part of life thatās been and gone. Yet thereās a noticeable difference between the person who wrote this record compared to the one who wrote Armās Lengthās 2022 debut, Never Before Seen, Never Again Found. āThis record speaks more to my life at the moment than the past,ā he explains, āeven though thereās still a good amount of past on it. But itās how Iām dealing with it now, as opposed to being enveloped in itāthereās more a sense of being on the other side of it, of seeing it with hindsight. The tone has shifted a little. Iām probably just a bit more mature, as my frontal lobe is developing as we speak.ā Produced by Anton DeLostāwho worked with the band on Never Before Seen, Never Again Found and 2021ās EP, Everything NiceāThereās A Whole World Out There does indeed expand Armās Lengthās horizons in accordance with Steinbergās developing frontal lobe, presenting him as more self-reflective contemplative than he was before. He wrote the parts for all the instruments, as well as the vast majority of the lyrics, alone in his room, and then brought those initial sketches, recorded as voice memos, to drummer Jeff Whyte, who added percussion to Steinbergās song skeletons. While the majority of the creative process was in Steinbergās hands, it was only when these songs were recorded as a full band with Jeremy Whyte, who played bass on the record, and Ben Greenblatt that their full potential was realized. The result is that the feelings driving these songs burst and bloom with full force, building on the incredible foundations set by the bandās previous recorded output.














